This pot is one of the three classical shapes of the blue-and-white porcelain in the Yuan Dynasty. The blue-and-white pattern is very beautiful and can be called the model of the blue-and-white ware in the Yuan Dynasty.Can short neck, belly drum, shoulder plastic symmetrical double animal ear, breath magnificent.The whole body is decorated with blue and white flowers, the upper and lower parts are covered with grass-curled lines, the middle of the neck is separated by convex lines, and the upper and lower parts are peony lines with twined branches.Under a week of rolling grass for the boundary, the shin is not connected with the variety of lotus-leaf patterns.Regardless of the shape, the pattern, all has the distinct time characteristic.
Blue and white porcelain is a cobalt ore containing cobalt oxide as raw material, on the ceramic body painted decorative, and then covered with a transparent glaze, high-temperature reduction flame once fired.Cobalt is blue after firing and has the characteristics of strong coloring, bright color, high firing rate and stable color.The original blue-and-white porcelain appeared in the Tang and Song dynasties, and the mature blue-and-white porcelain appeared in the Hutian kiln in Jingdezhen in Yuan Dynasty.Qing Hua became the mainstream of porcelain in Ming Dynasty.The period of Qing Kangxi reached its peak.During the Ming and Qing dynasties, the varieties of blue and white, malachite green glaze blue, bean green glaze blue, red green, yellow ground blue and goose glaze blue and white were also created.
Ming Jingdezhen Kiln Green Flower Pavilion, Horse-riding Character Pot
The height is 38 cm and the diameter is 37 cm
Straight mouth short neck, lip mouth slightly thick, looping shoulder round abdomen, below the shoulder gradually wider, to the abdomen gradually under, to the bottom micro-turn.With blue flower pattern, altogether divides into four layers, one layer neck decoration geometry grain, the two-story shoulder has opens the bright decoration, the inner decoration is entwined the branch flower, the three-layer abdomen is the cabinet horse figure theme decoration, four layers lower part is the banana leaf grain.This pot blue and white glaze has a bright hair color, which makes the ampulla theme vivid.
China Ceramics Museum, Jiuzhou Island:
Mingxuande blue-flowered flat pot
A flat bottle of double-eared gourd formerly made of metal from the Islamic region and carried by pilgrims.In Yongle period, the palace made with porcelain, Jingdezhen Zhushan Ming Dynasty official kiln site archaeology shows that Yongle early this type of flat bottle for white glaze plain surface, flat flat acerbic embryo, later white glaze dark flower, shallow circle foot appears, the bottom of the glaze, at the same time appear blue flower, all have no money;There was only one kind of blue-and-white in Xuande period. The size and thickness of the curved neck could not be used to judge the age of the flat pot without blue-and-white flower.The basis for the distinction between the two dynasties.
This product has Xuande six characters regular script for clear Xuande official kiln, the temperament is quaint, the shape is elegant, the shape is gourd-shaped, each side of the neck and shoulder is placed a ribbon ear, on the drawing of a fold.In the middle of the upper abdomen, the flowers were painted with twigs and flowers for a week. Before and after the lower abdomen, they were decorated with traditional patterns of Islamic region. Edge decoration a week and a half money pattern;The center of the other side is painted with eight round centers,Surrounding with blue and white to trace eight groups of crisscross curly grass lines, style, and the front side of the dense painting in sharp contrast, the marginal ring with curly grass lines, smooth painting.Blue-and-white one-color Qingyan Shu Ya, thick tin burst, glaze thick moist pale blue, slightly evacuation of the open film lines, the lower abdomen can be seen transverse joint marks, rectangular shallow circle feet, thin white glaze layer at the bottom.
Qingguang xu, Qinghua dragon pattern, water chestnut flat bottle
Round mouth, thick neck, slant shoulder, tympanum, circle foot, show standard water chestnut flat bottle style.The mouth is decorated with two loops of strings, the neck is decorated with banana leaf lines, the shoulder is decorated with four groups of twos and twigs, the shin is decorated with deformed lotus petal lines, the foot wall is decorated with curly grass lines and two rings of strings.
Qing Kang Xi green flower entwined branch lotus pattern plate
An abutment, a curved wall, a circle of feet.Inside the mouth along the decoration of a tangled lotus, lotus are half-shaped, inside the bottom of the two circles painted three lotus, branches and leaves entwined, turned to, the outer wall of the same distance drawing six tangled lotus.White glaze clear, blue pleasant.
Yuan Qinghua phoenix pattern jade pot, spring vase
This bottle is made of jade pot spring shape, skimming mouth, long neck, shoulder slip, round abdomen.The body of the instrument is covered with blue and white glaze with blue and white patterns, and the abdominal motif is composed of two phoenix-like patterns.This bottle is full of body pattern density, and the main pattern is prominent, complex but not chaotic.The blue-and-white material is deep into the fetal bones.Yuan blue-and-white porcelain is beautifully made and rarely handed down.Therefore, it is very precious, it opened a new era of transition from plain porcelain to colored porcelain. Its rich and vigorous painting style, bold and unrestrained, painting levels are varied, and the traditional aesthetic taste of the Chinese nation is very different, is really a wonderful flower in the history of Chinese ceramics, and decoration means a strong composition way, Steady color, subglaze painting performance, in the history of China’s ceramic history has a unique historical position.
Yuan Qing Hua cloud dragon pattern double animal ear big pot
Height: 37.7 cm
The firing of blue-and-white porcelain began in Gong Xian Kiln in Tang Dynasty and matured in Jingde Kiln in Yuan Dynasty.As an important period in the history of Chinese ceramics, Yuan Dynasty was ignored for a long time because of the limited historical documents and handed-down products, until the end of 1950 ‘s. The American scholar John Popper put forward the so-called “rightness” theory by combining the large vase of blue and white flowers collected by the Great Vide Art Foundation of England (1351) and the large vase of blue and white flowers hidden in Turkey and Iran respectively. The face of the blue and white flowers has been established and is valued all over the world.The blue-and-white flower is made of Persian cobalt. The blue-and-white flower is rich in color, variety in shape and rich in decorative and multi-level layout.The shape of this instrument is simple, the shape system is larger, majestic, blue and white hair color is rich, bright and delicate, decorative pen meaning, free and natural, for the Yuan Dynasty blue and white porcelain typical device.