Appreciation and analysis on the transaction price of fine Qianlong blue-and-white porcelain
2968 Qing dynasty Qianlong blue and white cochineal material, double phoenix opera pearl pattern dragon ear flat pot
Six-character seal style
exposition Pot lip mouth, short neck, neck, shoulder decorated symmetrical dragon ear, flat round abdomen, oval circle foot.Tongti blue and white painted peony, lotus and hibiscus, then affixed with carmine flowers;The mouth draws down Ruyi cloud head grain a week;Two sides of the abdomen carmine painted double-phoenix opera beads;The foot wall was covered with lotus.Di qing hua shu “qing qianlong year” seal style.
This rich and gorgeous color, exquisite painting, for the royal furnishings of fine goods.The rouge material is glaze color, and it was fired successfully in Jingdezhen Imperial Kiln Factory in Qing Yongzheng 13 years (1735). Tang Ying, the potter, called it “New Western Purple” in “The Chronicle of Tao Cheng”.The Matsuoka Museum of Art in Tokyo has the same flat pot as this one.
This device was auctioned at Sotheby’s Hong Kong on November 24-25,1987, for No.189.
0738 Qing Dynasty Qianlong blue-and-white powder color picture double-ear vase
Washing mouth, neck, both sides have double chi ears, each with a golden ring, bottle-shaped large, sedate and dignified.In particular, it is very difficult to cover the burning ring. When the bottle is burned in a sagger, the living ring must be held up by support in the sagger to prevent the adhesion or fracture of the living ring with the ears, so that the trace of burning on the living ring can be clearly seen.Only this firing technique, its precision is not the ordinary kiln can do.
From the mouth to the neck and around the feet with blue and white painting of Ruyi cloud head, twined flowers and banana leaves for the decoration.The belly powder colored painting “You Chun Tu” is the theme decoration.The foundation has” the Qing Qianlong year “six-character seal calligraphy alum red.
In the natural scenery, the painters draw the picture of four groups of characters traveling in the spring.In turn, there is a platform standing in the courtyard, in front of the towering green hills to watch apricot blossom;A group of standing on the shore to enjoy the fragrant peach blossom;One group drank tea under the willow and talked about the past and the present.There is a group of boating in the spring river above, really clear water light boat, Jingmei people more intoxicated.The painters used the method of looking down to view the scene, and gathered the distant mountains and close-range scenery together to the middle view, so that the scene was completely and harmoniously unified in a picture, with distinct layers, but the scene was open.Mountain, tree, architecture, river painting style, the weight of the cadence, full of changes, painted characters, vivid and vivid, different spirit.
Painters can not be exhausted, create a “a thousand miles away” of fine art.Straddling mountains, as if galloping flying, near dozens of miles, far hundreds of miles, competing for the show.White clouds wind around, the river endless flow, lake light mountain color, shimmering water, pavilions and pavilions hidden in it.The ancient pine sprouts, the river willows wear green, peach, apricot flower smile, a spring, the beautiful scenery.
The overall layout layer is rich, the density is appropriate.The color is light and deep change elegant, blue-and-white powder enamel is an innovative variety which evolved from fighting colors in Qianlong period. The painting process is complicated and the firing is very difficult, but the color expression of the porcelain made by burning is more colorful, so it was deeply loved by Emperor Qianlong.This bottle is not only elegant shape, magnificent, painting workers and color is outstanding, representing the imperial ornamental porcelain bottle of the Qianlong period of the highest craft level.
Indeed, the porcelain of the Qianlong period, whether it is blue-and-white, painted, painted, painted and bionic porcelain are very unique.Paint is the mainstream of Qianlong porcelain, often set embossing, scraping, painting, opening, color glaze, hollowed-out, stacking, gold painting and other decorative techniques on a piece of artifacts.It should be said that the powder enamel of the Qianlong period inherits both the elegant and quiet style of porcelain decoration in the Yongzheng period, as well as the works of heavy color and rich color, with the icing on the cake.From the decorative style of this porcelain, it is not difficult to see the decorative legacy of Yongzheng powder-colored porcelain.In addition, the Qing Palace Interior Office Qianlong records a lot of time Qianlong, when Jingdezhen imperial factory for the court porcelain production history, Qianlong Emperor preferred Maomeifen China decoration, some of the use of paint objects, patterns, pattern requirements often imperial decree, before the production of a picture or wooden sample, It’s only after the review that it’s officially baked.Approval must be obtained from Emperor Qianlong for the recognition or absence of objects, and for the description of articles and poems to accompany the decoration.Tang Ying, the potter of the time, on the one hand made fine court porcelain according to the emperor’s will, on the other hand, on the basis of retaining the essence of the previous generations, but also absorbed some Western craft techniques to create many novel powder enamel porcelain.This double-ear vase of Qianlong’s blue-and-white powder-colored picture of the Spring Festival is undoubtedly Tang Ying’s work in Jingdezhen.Therefore, we have reason to think that its burning time belongs to the early Qianlong.
This blue-and-white powder-colored double-ear vase with a picture of the spring has been auctioned in Hong Kong on November 26,1980 by Sotheby’s,1993, Zijin City Press.Liang Mu Publishing House published Mr. Geng Baochang “Ming and Qing Dynasty porcelain appraisal” a book, there are also works.
Special Tip: Please pay attention to Qianlong blue-and-white pink spring picture binaural bottle, whether the double rings on the ears are active!Because, this article in the first natural paragraph specifically described the two pairs of rings.It was marked in red.
Source: Hong Kong Sotheby’s, P.180-181,409,26 November 1980
1001 Qingqianlong Qinghua sea water Xiangyun should be dragon pattern plum vase
Style knowledge: “qianlong year of qing dynasty” seal style
exposition The small mouth short neck, the abundant shoulder arc abdomen, the tibia is introverted, the circle foot is slightly outside, the tool bottom has” the Qing Dynasty Qianlong year “three lines six words blue and white seal book.Fetus delicate white, mouth, neck, shoulder, abdomen, shin and bottom section after bonding, repair techniques are exquisite, so, the body is smooth and neat, there is no trace of the tire.The shape is neat, the proportion is harmonious, handsome sedate, dignified and generous.
The necks and shoulders of plum-blossom bottle are painted with banana leaf, flower and Ruyi moire respectively, and the belly motif is decorated with cloud-dragon motif.The five shapes of the bottle abdomen are different, and the mutual contrast between the dragon and the cloud makes the motif more vivid.In particular, the five dragon patterns, the same in the use of an object on the form of expression, painting techniques have a thousand years, in the Qianlong period is very rare.
The front dragon, the dragon head for the front, the front limb right and left symmetry and dance, overlooking the mouth, dragon head upright prestige, the line is clear, showed the king’s dominion.This form of painting requires that the painter’s thinking should be unworldly techniques to reflect the majesty of the dragon and the supremacy of royalty.
Dragons, dragon body vigorous, elegant, roaming among the clouds.The smooth painter, together with the thick display effect, perfectly embodies the mystical color of the traditional concept dragon.
Looking back on the dragon, the original game in the clouds, it seems to find mysterious information, neck back, the forelegs do to explore the shape of the body, moving the natural body, extremely vivid and vivid.
Out of the water dragon, Canglong broke the sea and out, majestic.Looking around the cloud, overlapping hovering, vivacious, rendering symmetrical, the more it appears that the dragon ride the clouds, the air is sacred and inviolable.
Yinglong, also known as” pterosaur “,” flying dragon “.Qu Yuan’s” Tianwen “has been described in the dragon to assist Dayu in the water of the meritorious service.Also, “the story of the different” cloud: “five hundred years for the dragon, a thousand years for the dragon.Bangu, a Chinese historian, is described in the 70 th edition of The Book of Han.”The dragon is buried in the yellow, the fish and the sea, not to see it can be able to work hard, combined with the wind and tide, and beyond the wild, and the sky also. The old husband mud pan and fly, should be dragon god also……” The decorative wings for the wings of the flying dragon, that is, “Ying dragon”, look fierce, vigorous and powerful.”Yinglong” is the longest-lived dragon in the dragon.
Ying Long’s myths and legends have been around for a long time, and its patterns and decorations have appeared early in bronze, lacquer ware, stone carving and painting.By contrast, the appearance of Yinglong in the official kiln porcelain is somewhat late.Ming Yongxuan period, Yinglong was included in the porcelain production of the official kiln.Compared with the Yongxuan period, the three generations of porcelain in the Qing Dynasty should be used as decorative artifacts passed down less.
The dragons on this artifact are beautifully painted, and the majesty of the emperor is metaphorically represented with his mysterious and solemn image.Zhang’s flying dragon, leaping on the waves, has a great impact on the sea, giving people a deep and shocking impression.The sea water pattern below the bottle, with the light blue fine trace of the spray foam, vividly shows the vast ocean and the dragon symbiosis of the poetic world.
Mei-ping is one of the most elegant forms of porcelain in the past dynasties. Since the Song and Yuan Dynasties, the quality of value has been higher than that of its peers.Mei-ping is the classic furnishings imperial porcelain of Qianlong Dynasty. It is of various categories, rich in decoration and fine in quantity. Among them, the blue and white flower is mostly an ancient work, and it has been widely used in two kinds. One is the flower and fruit pattern of the folded branches of the blue and white flowers, the other is the dragon pattern, and the latter is far inferior to the former, which is rare.For the Qianlong Dynasty, the Qing Dynasty Qinghua Mucumei bottle of the specific burning time, consult the Qing Palace file only a record, see the Qianlong three years” Qing Palace Interior Office of the Office of Work File Jiangxi “record:” June 25: Seven-pin leader Samuha, to urge General Bai Shixiu said, eunuchs high jade… ” Xuanyao Qinghua plum bottles, Xuanyao Qinghua three fruit plum bottles one… Biography: hand in and burn the magnetic device at Tang Ying also made. “The following decades of records have never seen the creation of Qinghua plum bottles of information.”From the analysis of the writing method of the seal script, there are also different from the writing style of the middle and late Qianlong, from which it can be inferred that the burning time of this product is in the early Qianlong, for the Tang kiln to bear the fate of the production of plum bottles Xuan kiln, is an important and rare representative of Qianlong Qinghua plum bottles.
Qianlong 60 years (AD 1736 ~ 1795) was the heyday of feudal society development in the Qing Dynasty.At this time, Jingdezhen Imperial Kiln Factory is a large-scale factory, under the management of the General Pottery Officer, burning all kinds of porcelain in the hundreds of thousands of people every year, the fired porcelain both technical skills and decorative art have reached the level of pure fire.Qianlong official kiln blue-and-white porcelain is not only different from the quiet Kangxi blue-and-white, but also different from the elegant Yongzheng blue-and-white, it is decorated with dense, dyeing and painting neat, novel shape win.Especially the grasp of cobalt materials, according to the need to show the stability of Qianlong blue-and-white porcelain, rich, calm elements.This piece is an outstanding work of blue-and-white porcelain during the Qianlong period.