China’s blue-and-white porcelain makes the world amazing and amazing!

Blue-and-white porcelain, which began in the Tang Dynasty, reached the stage of pure fire during the reign of Emperor Kangxi of the Qing Dynasty.

Early sales to Europe and surrounding countries such as celadon, black porcelain, blue and white porcelain, white glaze black and brown porcelain and so on, but to the Ming and Qing Dynasties, only blue and white porcelain cargo ships on the unique.

People who live together have their own fashions at different times.
Like the fish in the sea, the sheep on the prairie, when attacked by the outside world, not scattered escape but is gathered together, their behavior spontaneously consistent.The convergence of human preferences for behavior may be an instinct derived from genes that have evolved over millions of years.

Such as the Chinese since the Ming and Qing dynasties silver love.
Just like the love of mahogany furniture.
In the seventeenth century Europeans had a fervent pursuit of the “Clark” porcelain from the East.Even King Henry IV of France and King James I of England competed to buy.

the official website of the Central Visionary Treasure

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“Clark porcelain” belongs to a mysterious blue-and-white porcelain family, known internationally as” Clark porcelain “, because in 1602 the Dutch East Indies seized the Portuguese merchant ship Clark, which had a large number of blue-and-white porcelain. Transhipment to Amsterdam was a big hit.Businessmen have deliberately concealed what they call “clark porcelain” from the origin of the ceramics.

But the oddest thing is that in his native China, not only is its origin also foggy, but even physical objects are extremely rare.

Is this yet another proof that commerce depends on deceit in a constitutional society and on plunder in a powerful society?

The original archeology, based on the style of the craft, might have come from Jingdezhen.Can be found all over the porcelain, even the fragments have not found.It will be found that the design of this kind of porcelain is rough, free and smooth, the shape of the instrument is also with foreign colors, the circle often contains gravel, but different from Jingdezhen blue and white porcelain delicate, exquisite.The exotic color attached to the blue and white flowers is designed to meet the aesthetic needs of foreigners.As for its slightly casual style, it revealed the Southeast marine porcelain industry once brilliant———————————————————————————————————————————–There are also innumerable Ming and Qing ancient kiln sites scattered along the coast of Guangdong Province, Fujian Province.

With the expansion of the export market of Chinese porcelain and the restriction of the sea in Ming and Qing dynasties and the thought of focusing on agriculture and light commerce, it is difficult to produce authentic “national kilns” to cater to the tastes of foreigners.China’s shrewd businessmen soon built large numbers of kilns along the south-east coast.Because this is not a famous kiln and the order is huge, day and night to rush to work, a little rough products is also reasonable.In 1777 and 1778, England alone shipped 348 tons of porcelain from Guangzhou.

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This can’t help but let us lament once again, people flock to, strive for what is the value of things?

How long will this value last?

Money, wealth, reputation, intelligence, health, happiness, emotional beliefs?

Each paragraph of history is a mottled projection.
Everyone’s life experience is just a projection in this big picture.
As in the sixteenth and eighteenth centuries, the blue-and-white porcelain used to have the splendor and noise of the European continent.
It is difficult to understand why the European aristocracy of the time used the possession of blue-and-white porcelain as a symbol of taste, wealth, and status.Just as we can’t understand why today’s Chinese are hoarding property and gold.

Perhaps because of the unique delicate blue-and-white porcelain, warm and clear elegance, so that the maritime Silk Road has evolved into a “blue-and-white porcelain road.”

Conservatively, hundreds of millions of china were shipped to europe in the eighteenth century alone.In 17th-century European still life paintings, it is not difficult to find the figure of Oriental blue-and-white porcelain.

One of the French poems of the time wrote this:
Go look for that china/ We can’t see anything more beautiful/ It’s a Chinese product
Why do Europeans call China a ceramic CHINA instead of a silk SILK?

Just as no matter how much wealth you have, how prominent you are, how successful you think you will be, you will eventually disappear into the flood of history.
These blue-and-white porcelain, quietly displayed in the Charlotten castle of the Prussian palace, is no longer as noble and sacred as it was then.
It is more like a sacrifice, so that three hundred years later people still moan about the true feelings between the Lord Frederick I and his wife Queen Charlotten. . . .
What comes to mind when you sit at your desk with another so-called “blue-and-white porcelain” in your hand, sip your tea and savor these stories about blue-and-white porcelain?

Tang Qinghua Residual Samples

The original blue-and-white porcelain appeared in the Tang and Song Dynasties

The mature blue and white porcelain appeared in the Hutian kiln of Jingdezhen in Yuan Dynasty

Qing Hua became the mainstream of porcelain in Ming Dynasty

The Qing Dynasty reached its peak at the age of Kangxi

During the Ming and Qing Dynasties, they also burned blue and white flowers and multicolored flowers

malachite green glaze blue flower, pea green glaze blue flower

Derived varieties such as blue-and-white, yellow-ground blue-and-white, goo-glaze blue-and-white, etc.

(Guo Bo Jian Bao Collection)

Yuan Qinɡhua

The mature blue and white porcelain appeared in Jingdezhen in Yuan Dynasty

Most of the body of the body is therefore thick, the shape is thick and full

The utility model is especially characterized by the bamboo-nosed high-foot cup, the seat holder and the graveholder.

The most important feature of the decoration is that the composition is plump and multi-level.

The style of writing is characterized by a single stroke, smooth and powerful, while the sketching and rendering are robust and calm

Theme embellishment subject matter has the character, the animal, the plant, the poem and so on

The peony petals are painted with white edges

Lotus petal pattern is like “braces”, often drawing Taoist treasures in lotus petal

concerncollection of encyclopedias”

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Qinghua in Ming and Qing Dynasties

Ming Yongle and Xuande period is a peak of blue-and-white porcelain development

well-known for its exquisite workmanship

Qing Kangxi with “colorful blue and white” blue and white porcelain to the peak development

After Qianlong of Qing Dynasty, because of the development of pink colored porcelain, it gradually declined

Although in Guangxu once rejuvenated

In the end, it was impossible to continue the prosperity of the Kangxi Dynasty

Generally speaking, the official kilns of this period were made in a rigorous and exquisite manner

The kiln apparatus is random, free and easy, the picture is freehand.

from the late Ming Dynasty

Blue and white painting gradually absorbed some elements of Chinese painting techniques

Outside the curtain, the banana raindrop door ring causes the copper green

And I passed that little town of Jiangnan and got you

in ink-splashing landscape painting

You are hidden from the depths of the ink

The Humanistic Story in Blue and White Porcelain

In all kinds of porcelain, the story on the blue-and-white porcelain is the most

And the subject matter is very wide

Four-and-a-sixteen graph of blessing and hope for good fortune

Yu Boya, who reflects the style of literati and officials, paid a visit to his friends with Qin

Tao Yuanming loves chrysanthemum, Wang Xizhi loves goose, Zhou Dunyi loves lotus

too white drunk,18 baccalaureate picture

“Romance of the Three Kingdoms” and the comparison of copper and sparrow and Taiwan

The figure of the Dao-Ma people in the opera story such as the empty city plan

Yuan Qing Hua “Ghost Valley down the hill picture pot

The blue-and-white porcelain of the Yuan Dynasty, with its main body emblazoned with the “Ghost Valley,” described the story of Sun Bin’s master, Ghost Valley, who agreed to come down the mountain to save Sun Bin and Du Gu Chen, who were trapped by the State of Yan.On July 12,2005, at Christie’s in London, the auction of “Chinese Ceramics, Arts and Crafts for Foreign Sale” sold for £14 million, plus a commission of £15.688m, or about Rmb230m, making it the world’s highest ever auction of Chinese art.

Auction time:2005

Turnover:230 million

Ming Yongle, Qinghua, Ruyi, flower-fruit pattern vase with bent shoulders and folded branches.

Mingyongle blue and white flowers, bent shoulders, folded branches, flowers, fruit and plum vase, 36.5 cm high.Fetal repair fine not to see the mark, the body light, smooth glaze, pass-through few, very precious.

Auction time:2011

Turnover price:168 million

Ming Yongle green flower four seasons flower pattern flat pot

Blue and white four seasons flower pattern flat pot is the Ming Dynasty Yongle unique, extremely rare representative work.The body is oblate, and the mouth is extravagant. The neck is thick, the shoulder is slant, the abdomen is heavy, the foot is oval, and the foot is glazed.Fetal quality is fine and pure, white glaze is slightly blue, there is ice crack on the glaze surface.The mouth is decorated with curly grass lines, the neck is decorated with twined flowers, the pot is decorated with twined flowers of the four seasons.Blue and white materials for the Su mud bright green, because of “oozing green”, “scattered muddy” characteristics, bright blue, occasionally because of seeping blue and dark spots, ink and ink painting charm, to carry the pen chic, momentum, in the black crystal spots against the background, showing the color clear and bright characteristics.

Auction time:2011

Turnover price: 121.9 million

Ming Cheng Hua Qinghua twined okra groove

Gongchang arc wall smooth, the mouth along the micro-scrunch, Jianxiu implicit, like a flower half open, to the top of the water.Light blue is easy to wipe, thick green and good to control the bones.Outside the wall clever painting of okra branches, winding back to the four beautiful Jing Yan, soft valve scattered Shu, you are angry.The young leaves are covered by the hills, and the new buds do not wish to remain alone in Yingxian.Open heart group flower frame double circle, the sunflower valve is curled and hair.Inner wall ring adorns a branch of okra, similar to the outer wall, but slightly different posture, more interesting.The opening way is along the inside and the outside, and the feet are attached with two strings.Full body cover glazing material, transparent if fat, moistening such as jade.Two lines of blue and white with six characters and two rings.(Guo Bo Jian Bao Collection)

Auction time:2013

Turnover price: 1412.4 million

Qianlong Qinghua sea water Xiangyun should be dragon pattern plum vase

The small mouth short neck, the abundant shoulder arc abdomen, the tibia is introverted, the circle foot is slightly outside, the tool bottom has” the Qing Dynasty Qianlong year “three lines six words blue and white seal book.Fetus delicate white, mouth, neck, shoulder, abdomen, shin and bottom section after bonding, repair techniques are exquisite, so, the body is smooth and neat, there is no trace of the tire.The shape is neat, the proportion is harmonious, handsome sedate, dignified and generous.

 It’s blue and I’m waiting for you

The moon was salvaged and the ending was broken

as beautiful as the blue-and-white porcelain of the world

When the east wind strikes, it’s clear

Every green flower, such as a woman’s first make-up

have one’s own beauty, but not one’s own fresh nature

In the light glaze color between, condenses a bunch of flower light

Penetrating the noisiness of time