Kangxi | Stories on Blue and White Porcelain
Beijing frame time,2015 autumn, spring night, Yan Tao Li Yuan prefaced blue and white pen sea
The Preface of Peach Garden for Spring Night Feast, also known as the Preface of Peach Garden for Spring Night Feast, was written by Li Bai, a poet of the Tang Dynasty.Li Bai and his cousins wrote poems at a banquet on a spring night, and wrote a preface to it. The article, in a clear, new and elegant style and in a free-turning style, described the story of Li Bai’s love for life, which was expressed in a passionate way by the author and all of his cousins who had gathered in the peach garden to write poems about Tianlun. Love life pursuit and positive and optimistic attitude to life.
Kangxi fishy dragon plate
In Chinese traditional culture, both fish and dragon are ancient mascots.Because of the interconnectedness of the appearance (the dragon has fish scales, tail fins and dorsal fins), the interconnectedness of functions (all aquatic animals are worshipped as gods of rain) and the interconnectedness of cultural connotations (all are the mascots of many sons and become folk beggars), In ancient times, fish and dragons often appeared together, and there was a relationship between them.
The allusions of fish into dragons have been recorded in the pre-Qin period.”Cocoon collection magazine,” recorded: “carp a juvenile dragon.” “Shan Hai Jing” recorded “Gun died three years of non-rot, cut the Wu Dao, into the Yellow Dragon. Gun: Fish, too.The more complete allusions are derived from the Han Dynasty’s Fangzhi “Sanqin Ji”.”Longmen Mountain, in the eastern boundary. Yuchiishan broken door a mile. The Yellow River from the middle of the flow, the two sides do not open to horses. Every spring, there are yellow carp, from the sea and Zhuchuan, to come. One year old, the dragon door, but 72. Early to the dragon gate, that is, there are clouds and rain with it, the sky after the fire burn its tail, is turned into a dragon. ”
This period fish illusions dragon allusions also do not have the middle-up promotion, the meaning of leap to the top.Since the Qin and Han Dynasties, the culture and political rights of the dragon have been combined, and the dragon has gradually become the symbol of the monarch, who has been regarded as the “true dragon and the emperor”.At that time, the meaning of ichthyosaur is more the expression of a dragon respect fish base, god dragon worship concept.
Since the Sui and Tang dynasties, due to the implementation of the imperial examination system, to the humble common class of readers to show their talent, into the political power, the way and opportunity to shine.The allusions of ichthyized dragon dovetail with this talent selection system.From this beginning, a plebeian-born scholar, once the title of the Golden List, the promotion of officials, since the rapid pace of the cloud, the rise of the world, it is referred to as the carp jump dragon gate.From this also extends to a kind of active and enterprising, striving spirit.Li Bai, a great poet of the Tang Dynasty, wrote a poem specially for this story: “Three-foot carp of the Yellow River, originally in Mengjin Ju, did not point out Jackie Chan, return to accompany the fish.” In the drama of “Pipa Ji”, there are also such records: “The child goes out in today, the father mother comes to see each other off, hoped that must fish the dragon, the green cloud goes up.”
From then on, the meaning and design of carp jump dragon door is loved and welcomed by the public, and displayed in all kinds of buildings, furniture, clothing, New Year’s pictures and articles of daily use, and other objects, people especially the reader’s good wishes.
This pot is the classic Kangxi blue-and-white plum fish-shaped dragon blue-and-white flower jar.Net height is 16 cm.In the two open light, respectively, there are want to try to jump fat carp and the very strong Li Long.Its background is the river water cliff pattern, implied meaning is the Fushan Shouhai, a series of Jiangshan.This subject matter is common in plates of the same period, but rare in jars.
Qing Kang Xi Zhu Lin Qi Xian Bi Hai
The bottom of the pen is similar to the bottom of the sea, tube-type abdomen, jade base, the bottom of the blue-and-white leaf shape.Dressed in blue and white, the picture is full of the seven sages of bamboo groves. The pictures include Ruan Ji, Ji Kang, Shan Tao, Xiang Xiu, Ruan Xian, Wang Rong and Liu Lien. The seven sages drink, write poems and play songs in the bamboo groves.The pen sea fetal quality is hard, blue and white hair bright, elegant, painted seven wise people, different clothes, different looks, bamboo forest mountain and stone integration, with a high value of artistic appreciation.
Huxi Sanxiao Qinghua Pen Sea
For the story of “three smiles in huxi”.Buddhist legend, Huxi in the Lushan East Forest Temple, according to legend, the Jin monk Huiyuan East Forest Temple living in the time, not to send visitors to the river.One day Tao Qian, Taoist Lu Xiujing visit, and the language is very covenanted, do not know when to send across the stream, Hu Zhe trumpets, three people laugh away.This is where the descendants of the building three xiaoting.Tang Ying (1682-1756) title Lushan Mountain East Lin Temple, Three-Xiao Pavilion, Lianyun: bridge across Huxi, three religions three source stream, three people three laughter;The lotus opens the monk’s house, one flower one world, one leaf one like to come.
Blue and white eighteen baccalaureate picture mallet bottle
Qing Kang Xi (1662-1722)
Height:46 cm, caliber: 11.5 cm, foot diameter:12 cm
Palace Museum Collection
The 18-year-old bachelor’s chart is one of the decorative patterns of Qing porcelain.When Li Shimin was king of Qin in the Tang Dynasty, he set up a literary museum in the west of the palace, which was divided into three classes and six people on duty to discuss documents.The painting is the favorite of later painters.
Export products, Fengyi Pavilion, blue and white large market
The story of Feng Yi Ting is based on “Romance of the Three Kingdoms”, also known as” Dressing and throwing halberds”, which tells the story of Diao Chan and Lu Bu meeting together in Feng Yi Ting and being smashed by Dong Zhuo.After the Fengyiting incident, Dong, Lu two completely turned against each other, Lu Bu killed Dong Zhuo’s determination.Lv Bu took advantage of Dong Zhuo to go up, peek at Diao Chan, and invited Diao Chan to meet in Fengyi Pavilion, Diao Chan to Lv Bu to cry about the pain of being occupied by Dong Zhuo, Lu Bu was very dissatisfied with Dong Zhuo, and there was resentment against Dong Zhuo.As it happened, Dong Zhuo returned to his home. Seeing this, he grabbed the halberd and made his way to Lub, who ran away.From then on the two people mutual suspicion, Wang Yun said Dong Zhuo occupied Diaochan really should not, Lu Bu and Wang Yun plan to remove Dong Zhuo together, waiting for Dong Zhuo ready to usurp the throne the day, Lu suddenly defected, Dong Zhuo killed.
blue-and-white copperhead mallet bottle
Qing Kang Xi (1662-1722)
Height: 44.5 cm, bore 12.3 cm, foot diameter 14.2 cm
Palace Museum Collection
“Bronze sparrow than martial arts” is a famous story in the Three Kingdoms.
In the spring of the 15th year (210) of Jian ‘an, Emperor Xiandi of Han Dynasty, Cao Cao built a bronze sparrow platform in Yecheng.Cao cao ordered all the people to compare the archery method, the winner gave a brocade robe.At last Xu Huang and Xu Chu competed for Jinpao and held on.Cao Cao saw how brave the generals were, and each gave a piece of brocade to clear the siege.
In the picture, Cao Cao stands at the top of the Bronze Sparrow Platform, stroking his beard and watching the soldiers fight.All the soldiers rode to see the arrow, poplar hanging a war gown, symbolizing the competition for this.Xu huang is compared with xu chu.There are also a number of civil and military officials.
Blue and white lady’s gallbladder bottle
Qing Kang Xi (1662-1722)
Height:23 cm, aperture: 3.6 cm, foot diameter: 5.8 cm
Palace Museum Collection
The picture comes from “Jinshu · Qie Shen Zhuan”.
The jin dynasty qièsh’s (qièsh) is the history of the jings in yongzhou. Before he went to his post, the emperor asked him about his self-evaluation. “I am the number one in the world,” he said. “I am like a branch of laurel in the moon palace and a piece of precious jade in the kunlun mountains.” The picture borrows from this story. Using the word “ecclesiastical” means” today’s children, the ming dynasty and the first. ”
Dragon Art Museum Collection Shangshan Four Haotu blue-and-white brush holder
“Shangshan Sihao” was four doctors who believed in Huang Laozhi’s studies in the last years of the Qin Dynasty: Dong Yuan Gong Tang Bing, Xia Huang Gong Cui Guang, Yi Li Ji Wu Shi, Lu Li (l di) Mr Zhou Shu.They were four of the 70 doctors of the First Emperor of Qin, who were respectively in charge: First, through the ancient times and the modern times;2. To distinguish between right and wrong;Tri-yuedian teaching post.Later, they secluded in Shangshan, once to Han Gaozu Liu Bang exhortation can not be removed Prince Liu Ying (that is, later Han Huidi).Later generations use the term “Shangshan Sihao” to refer to a famous hermit
Qinɡ HuaHong Fu Jicharacter story chart
Qing Kang Xi (1662-1722)
Height 2.2 cm, diameter 14.9 cm, foot 9.2 cm
Palace Museum Collection
The story is based on the scene in the legend of the Ming Dynasty.
The first half of “The Red Futter” depicts Li Jing, the Red Flip Girl, and the curly-bearded guest worship, becoming the famous” wind and dust “in history.Qiu-bearded guest has always been the ambition of the emperor, heard that taiyuan shi-min “emperor’s gas”, specifically came to see the end.Once met, the curly bearded guest by Li Shimin’s heroic submission, thus gave up his ambition.In the pan, the next scene of the story is depicted: a few days later, Mr. and Mrs. Li were feasted at home. After dinner, the servant took out more than 20 large boxes and gave all his wealth to Mr. Li, giving him the ability to help him win the world.
blue-and-white figure jar
Qing Kang Xi (1662-1722)
Height:34 cm, aperture: 11.7 cm, foot diameter: 16.4 cm
Palace Museum Collection
The “four concubines sixteen picture”, also known as” garden baby play picture “, is one of the common subjects of porcelain figure painting in Ming and Qing dynasties.The use of this theme expresses a kind of prosperity, political harmony, family happiness, multi-sons and grandchildren of auspicious meaning, but also reflects the people’s desire for a better life and persistent pursuit.
Qinɡ HuaPeach and Li Garden for Spring Night Feastcharacter pen holder
Qing Kang Xi (1662-1722)
It is 12.8 cm high, 10.6 cm in diameter and 10.6 cm in bottom diameter.
Palace Museum Collection
a pen-holder with a hole-and-stone tree;On the other side of the painting, four high scholars sitting in front of the long case drinking poetry, the picture above: “the reward has not been, high talk to turn clear, open Qiongyan to sit flowers, flying feathers and head and drunk month, there are no good works, He Shen Yaihuai, such as poetry failed to punish the number of Jingu wine.”The poem is excerpted from the second half of the Tang Dynasty poet Li Bai’s Preface to Peach Li Garden in Spring and Night Feast.The picture depicts Li Bai and his friends gathering on a spring night, drinking and giving poems.
Tales of the Three Kingdoms of Qinghua
Qing Kang Xi (1662-1722)
Height 5.6 cm, diameter 35 cm, foot diameter 20.4 cm
Palace Museum Collection
The plot of “Empty City Plan” in “Romance of the Three Kingdoms” is painted with heart and soul.
Zhuge Liang sat in the tower, leisurely Fuqin under the view.Outside the gate Sima Yi riding horse rate to all people, a gate-boy inside the gate to lead it into the city.The picture is vivid and fascinating.
Blue and white figure square bowl
Qing Kang Xi (1662-1722)
Height 9.9 cm, oral transverse 14.7 cm, oral longitudinal 14.5 cm, foot diameter 6.4 cm
Palace Museum Collection
Outside the bowl, there are four groups of characters story map, subject matter for Yu Boya Qin visit friends, Tao Yuanming love chrysanthemum, Wang Xizhi love goose, Zhou Dunyi love lotus.Four groups of large open light to four groups of small light, small open light painted flower patterns.