The Tales of Kangxi Blue and White Porcelain
Kangxi blue-and-white porcelain is hard and delicate, with bright glaze, bright green color and clear picture layers, and it is the crown of Qing Dynasty blue-and-white porcelain.In all kinds of porcelain, the story on the blue-and-white porcelain has the most screen, and the subject matter is very wide, ifThe four-and-sixteen-figure chart, reflecting the literati’s spirit and style, shows Yu Boya’s visit to his friends, Tao Yuanming, Wang Xizhi, Zhou Dunyi, Ai Lian, Tai Bai’s drunkenness, the 18-year-old scholar’s picture, and the comparison between the bronze sparrow and the Taiwan in the Romance of the Three Kingdoms. Empty city plan, such as the drama story, such as the map of the Dao-Ma people.Pick out some of the best products and share the allusions with you.
foldBlue and white eighteen baccalaureate picture mallet bottle
Qing Kang Xi (1662-1722)
Height:46 cm, caliber: 11.5 cm, foot diameter:12 cm
Palace Museum Collection
The 18-year-old bachelor’s chart is one of the decorative patterns of Qing porcelain.When Li Shimin was king of Qin in the Tang Dynasty, he set up a literary museum in the west of the palace, which was divided into three classes and six people on duty to discuss documents.The painting is the favorite of later painters.
foldblue-and-white copperhead mallet bottle
Qing Kang Xi (1662-1722)
Height: 44.5 cm, bore 12.3 cm, foot diameter 14.2 cm
Palace Museum Collection
“Bronze sparrow than martial arts” is a famous story in the Three Kingdoms.In the spring of the 15th year (210) of Jian ‘an, Emperor Xiandi of Han Dynasty, Cao Cao built a bronze sparrow platform in Yecheng.Cao cao ordered all the people to compare the archery method, the winner gave a brocade robe.At last Xu Huang and Xu Chu competed for Jinpao and held on.Cao Cao saw how brave the generals were, and each gave a piece of brocade to clear the siege.In the picture, Cao Cao stands at the top of the Bronze Sparrow Platform, stroking his beard and watching the soldiers fight.All the soldiers rode to see the arrow, poplar hanging a war gown, symbolizing the competition for this.Xu huang is compared with xu chu.There are also a number of civil and military officials.
Blue and white girl’s baby play picture-gallbladder bottle
Qing Kang Xi (1662-1722)
Height:23 cm, aperture: 3.6 cm, foot diameter: 5.8 cm
Palace Museum Collection
The picture comes from “Jinshu · Qie Shen Zhuan”.The jin dynasty qièsh’s (qièsh) is the history of the jings in yongzhou. Before he went to his post, the emperor asked him about his self-evaluation. “I am the number one in the world,” he said. “I am like a branch of laurel in the moon palace and a piece of precious jade in the kunlun mountains.” The picture borrows from this story. Using the word “ecclesiastical” means” today’s children, the ming dynasty and the first. ”
blue-and-white character story chart
Qing Kang Xi (1662-1722)
Height 2.2 cm, diameter 14.9 cm, foot 9.2 cm
Palace Museum Collection
The story is based on the scene in the legend of the Ming Dynasty.The first half of “The Red Futter” depicts Li Jing, the Red Flip Girl, and the curly-bearded guest worship, becoming the famous” wind and dust “in history.Qiu-bearded guest has always been the ambition of the emperor, heard that taiyuan shi-min “emperor’s gas”, specifically came to see the end.Once met, the curly bearded guest by Li Shimin’s heroic submission, thus gave up his ambition.In the pan, the next scene of the story is depicted: a few days later, Mr. and Mrs. Li were feasted at home. After dinner, the servant took out more than 20 large boxes and gave all his wealth to Mr. Li, giving him the ability to help him win the world.
blue-and-white figure jar
Qing Kang Xi (1662-1722)
Height:34 cm, aperture: 11.7 cm, foot diameter: 16.4 cm
Palace Museum Collection
The “four concubines sixteen picture”, also known as” garden baby play picture “, is one of the common subjects of porcelain figure painting in Ming and Qing dynasties.The use of this theme expresses a kind of prosperity, political harmony, family happiness, multi-sons and grandchildren of auspicious meaning, but also reflects the people’s desire for a better life and persistent pursuit.
blue-and-white figure pen
Qing Kang Xi (1662-1722)
It is 12.8 cm high, 10.6 cm in diameter and 10.6 cm in bottom diameter.
Palace Museum Collection
a pen-holder with a hole-and-stone tree;On the other side of the painting, four high scholars sitting in front of the long case drinking poetry, the picture above: “the reward has not been, high talk to turn clear, open Qiongyan to sit flowers, flying feathers and head and drunk month, there are no good works, He Shen Yaihuai, such as poetry failed to punish the number of Jingu wine.”The poem is excerpted from the second half of the Tang Dynasty poet Li Bai’s Preface to Peach Li Garden in Spring and Night Feast.The picture depicts Li Bai and his friends gathering on a spring night, drinking and giving poems.
Tales of the Three Kingdoms of Qinghua
Qing Kang Xi (1662-1722)
Height 5.6 cm, diameter 35 cm, foot diameter 20.4 cm
Palace Museum Collection
The plot of “Empty City Plan” in “Romance of the Three Kingdoms” is painted with heart and soul.Zhuge Liang sat in the tower, leisurely Fuqin under the view.Outside the gate Sima Yi riding horse rate to all people, a gate-boy inside the gate to lead it into the city.The picture is vivid and fascinating.
blue-and-white figure square bowl
Qing Kang Xi (1662-1722)
Height 9.9 cm, mouth transverse 14.7 cm,
Oral longitudinal 14.5 cm, foot diameter 6.4 cm
Palace Museum Collection