Official Notes | Blue-and-white Porcelain of the People’s Kiln after the Middle Qing Dynasty (Group)

Min Yao

The identification of blue-and-white porcelain kiln, lack of identification of the chronology, most of the basis of identification is to see the shape and blue-and-white hair color.

The blue-and-white porcelain of the early Qing Dynasty, namely Kang Yongqian, was the peak of the blue-and-white porcelain production after Yongxuan peak in the Ming Dynasty, and the blue-and-white porcelain production after the mid-Qing Dynasty began to decline.

A Study on the Characteristics of Blue and White Porcelain in the Middle Qing Dynasty from a Blue and White Standard Apparatus

The blue-and-white porcelain after the middle of the Qing Dynasty is more popular decorative patterns, most of them are entwined branch lotus, peony flowers and double happy characters, no double spectrum, dress female, bogu, eight auspicious various decorative patterns.

Clematis tenuifolia

Double-Xi character

The painting style of blue-and-white porcelain after the middle period of Qing Dynasty, common double hook line pattern, do not fill color.

After the mid-Qing Dynasty, the blue and white ware color cobalt materials, with the domestic blue and white materials, blue and white hair color characteristics areGrey, black, miscellaneous, floating.

In the middle and late Qing Dynasty, the fetal quality of blue-and-white objects was coarse and loose.

After the middle of the Qing Dynasty, the blue-and-white objects were roughened and irregularly repaired.

blue and white objects in the middle and late Qing Dynastyrough quality of the fetusIt is clear that sand particles and eye holes can be seen in the fetal body.After the middle of the Qing Dynasty, the blue-and-white objects were roughened and irregularly repaired.