Knowledge of how to identify Qingjiaqing blue-and-white porcelain

In the Jiadao period, there is also a kind of green bean glaze stack powder blue flowers, fired is first on the fetal bones with a pattern of the approximate shape of a layer of white powder.The pattern is painted on the white powder, then fired with the green glaze into the kiln. The white powder under the blue flower has the effect of setting off the green flower, which makes the green color material and the bean green glaze contrast obviously. At the same time, the pattern of the powder blue flower is raised, which enhances the three-dimensional sense of the pattern.

The enamel of Jiaqing porcelain is getting thicker, the glaze is greenish and the glaze is not smooth enough. The glaze of Jiaqing porcelain generally has slight wavy glaze and needle like buckwheat powder, commonly known as buckwheat powder.buckwheat field.

 

Jiaqing blue-and-white porcelain on the ears are generally very neat, square, see the angle of the card-shaped ears like the ancient jade card, the objects are round and thick, not fine, thick and uneven, especially kiln ware.

 

Double lion ears to the development of Jiaqing, the top big under the small, clear impression.Generally speaking, the more clear the earpieces on the objects, the earlier the age.

 

blue-and-white vase with dragon pattern

In addition, Jiaqing when the appearance of the hat tube, the shape is relatively tall, some of the body and hollow decoration, its hollow rules, angular clear.

 

Jiaqing blue-and-white porcelain still used domestic materials, Jiaqing early porcelain blue and white color and some Qianlong blue in a little purple characteristics, basically the more pure blue, most still flash ash.The general feature isWith a sense of floating, thin glaze at the bottom, the appearance of bluish, floating in color stabbing eyes.

 

In addition, during the Jiadao period, there was another onegreen bean glaze stack powder blueBurn is first on the fetal bones with a pattern of the approximate shape of a layer of white powder.The pattern is painted on the white powder, then fired with the green glaze into the kiln. The white powder under the blue flower has the effect of setting off the green flower, which makes the green color material and the bean green glaze contrast obviously. At the same time, the pattern of the powder blue flower is raised, which enhances the three-dimensional sense of the pattern.This kind of heap powder blue and white flowers first appeared in the Kangxi Dynasty, Yongzheng, Qianlong period continued to burn, to Jiaqing, Daoguang more prevalent, burning more successful.Jiaqing when the stack powder blue and white powder more thick, more white, three-dimensional strong sense.

 

Jiaqing blue-and-white porcelain painted by a very small level of patterns, generally only two or three-tier, so the overall sense is more insipid, three-dimensional sense is also poor.In addition, in the Yongzheng, Qianlong period popular with the point-dyeing, rendering methods of imitation Xuande artifacts in this relatively rare, mainly or follow the Qianlong period and freehand brushwork with the practice, most of the decorative patterns belong to the pattern-style rules of patterns.

 

In the plate, bowl, dish type objects, decorated with mountains and rivers scenic natural scenery mainly, such as” West Lake Ten Scenes”, but rare after Xianfeng.

 

Garlic bottle with flower and fruit pattern

The hook lotus pattern commonly uses the green flower light drawing, looks like the double hook contour line, has a small amount of hook lotus often and the double happy word to decorate at the same time on an artifact, when the Jiaqing time the hook lotus pattern is more delicate and neat, the pen path is narrower, the lotus is bigger.

 

Jiaqing objects on the characters painted a single eyelid.

 

During this period, porcelain annals, formats and types were all more regular and simple than the earlier ones, and there were few imitations of future generations.Jiaqing early years when the use of Qianlong red money, until the “Emperor” promotion, the typical Jiaqing official kiln year of the “Daqing Jiaqing year”, the six-character three-line seal, the individual also has” Jiaqing year “four-character seal, the Jiaqing period when the Kaikai, the seal, and the use of both, But most of them use seal calligraphy.

Most of the folk kilns in Jiaqing had no knowledge of style, and occasionally saw the six-character seal book and four-character regular script for “Jiaqing”.At this time of the kiln, there are some scrawled seal style, the general lack of pen less strokes, and even some reach an unidentifiable degree, the drawing is also more popular, at the bottom of the objects often painted “bat” patterns.