Market Price and Market of Daming Hongwu Blue and White Porcelain

As one of the symbols of Chinese civilization, porcelain, with its profound inner, beautiful and beautiful surface, has always been the focus of art auction malls at home and abroad.In 1992, the art auction market of our country stepped out a step with historical meaning, and the art market of our country began to develop from the stone crossing to the flourishing.The fact that this young mall is truly open and accepted and even valued by the international community is a step into the 21st century.Compared with the “blowout” phenomenon of the ancient jade bronze shopping mall in calligraphy and painting, the porcelain shopping center in the mainland has been in a “stable development” situation.

According to the investigation, China now has nearly 100 million art collections and investors, during which “holding the porcelain army” most.How can we buy well and sell well? The only way to do this is to pay close attention to the porcelain market in order to get the latest funding information.

From the present auction market, the most at the mercy of the mall is the Song, Yuan, Ming, Qing official kiln porcelain.The porcelain of this period of official kiln is used by royal family and hundred official, no matter modelling, adornment, color, quality all can be described as top-notch.Because the porcelains of the Song Dynasty were few and mostly in museums, and the fine wares of the Yuan Dynasty have rarely appeared since the 1990s, it was the official kilns of the Ming and Qing dynasties that appeared at the auction.In this year’s spring auction, the Ming Hongwu “glaze red tangled branches peony pattern jade pot spring bottle” to 832312 million yuan price, set the Ming Dynasty porcelain international auction record.

Ming Dynasty is a very important period in the development history of ceramics in China.On the basis of Song and Yuan dynasties, the burning skills of Ming Dynasty porcelain were developed in an all-round way, with remarkable achievements. Jingdezhen was the most outstanding, and the porcelain was produced mainly by blue and white flowers. Other products, such as underglaze, overglaze, double-colored and single-colored glaze, were also outstanding.

In the early Ming Dynasty, blue-and-white porcelain changed from the Yuan Dynasty to a more hierarchical, striped and full of personality, more tend to light.Yongle to Xuande when the import of ancient Persian “Su Ma Liqing” cobalt fired blue-and-white porcelain, fine glaze, rich blue color, beautiful decorative.Chenghua to Hongzhi, Zhengde when the choice of home-made equivalents of green material, blue and white thin glaze, vivid picture, blue and white, warm and charming.Jiajing to Wanli blue in the pan-purple, beautiful and thick hair color, the green material for the Hui or Hui green and stone blue mixed use, more for the big pieces.Wanli late to the end of the Ming Dynasty of the blue and blue ash, green materials for home-made Zhejiang.

The composition characteristics of the green flower stripes in Hongwu Guanyao are different from those in Minyao. The green flower stripes in Guanyao are full of composition, multi-level and densely arranged. This aspect is common with the personality of Yuan Qinghua.

Such a collection, elegant shape, exquisite painting, bottle decorative layers clear, clear-cut, blue and white color quiet, blue and white collection at the stagnation of the black spots.Outer wall through body blue and white decoration, can cover top-down painting back lines, banana leaf lines, abdominal motif for tangled branches peony pattern, from top to bottom with pendant satisfied with the cloud head and lotus leaf pattern do edge decoration, circle the outer wall with curly grass grain.Circle inside apply white glaze, bottom outside foot, appear generous and cautious.Marks the imperial power, shows the domineering spirit.The lines are more round and soft, the plan is arranged five layers from top to bottom, and each layer is separated significantly by each other, which is more clear and clear, especially in the composition of the upper and lower two layers of the eight geely pattern, the figure of the eight geely pattern is no longer as big as the Yuan Dynasty, and in the lotus petal has been reduced. The white space increases, gives the person to feel the sparse long, accords with the literati painting advocated the law of keeping white six and wide.