Palace Museum: Appreciation of Porcelain in Part of the Collection (HD)

[Ming Ming] Zheng De] Sancai tangled branch lotus pattern high foot bowl

The Palace Museum. Hongzhi Zhengde porcelain contrast exhibition

[Ming Ming] Zhengde, Imperial Kiln, three-color sea water, toad pattern washing

The Palace Museum. Hongzhi Zhengde porcelain contrast exhibition

[Background]

In principle, plain tricolour porcelain refers to porcelain that contains three or more low-temperature glaze but does not contain or contains very small amounts of red color.Because in Chinese traditional culture, the red represents the celebration, belongs to the meat color, other color does not contain the red color porcelain is called “plain three colors”, here” three “is” many” means, does not have to have three colors.

The plain three-color porcelain is a kind of low-temperature lead-glazed pottery image from the Western Han Dynasty, which developed from the non-red-colored mixed-glaze porcelain produced by Jingde kiln in the early Ming Dynasty.From the Chenghua period of the Ming Dynasty to the Ming Dynasty, it experienced three important stages of development: Zhengde in the Ming Dynasty, Wanli in Longqing in the Ming Dynasty and Kangxi in the Qing Dynasty.The three-color porcelain color coordination, color elegant, gives a soft and pleasing to the eye aesthetic.

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[Qing] Kangxi glaze red ball dragon pattern bowl details

Imperial Palace Museum (Collection)

[Ming · Hong Zhi] Blue and white figure set box

The Palace Museum. Hongzhi Zhengde porcelain contrast exhibition

The box is a cylindrical three-layer box with a flat top cover and a circle foot.The cover center draws 3 people to ride a horse, supplementary Yunshan pine pavilion, outside draws Ruyi cloud grain a week, the cover edge draws turtle back brocade pattern.On the box, the middle two layers each draws the lady, the courtyard, supplemented by the flower, the cirrus cloud and so on.The bottom and near feet were painted with tortoise back brocade and lotus leaf pattern for one week respectively.Nothing is known.

Although the painting method of the cloud-air pattern among the characters has the former dynasty, but from its blue-and-white color, the shape of objects, it reflects the characteristics of the blue-and-white objects in the Zhengde period.This box is a very rare case of Ming Dynasty. It is well-shaped and well-preserved.

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[Ming · Hong Zhi] Green flower edge decoration white ground green cloud dragon pattern plate

The Palace Museum. Hongzhi Zhengde porcelain contrast exhibition

[Background]

Blue and green edge decorated with white green clouds dragon pattern plate, bright Hongzhi,4 cm high, diameter 20.8 cm, foot diameter 13 cm.

Disk mouth, shallow arc abdomen, circle foot.The inside and outside of the foot wall were repaired with a knife, and the foot end was relatively thin.Inner wall near the edge of the mouth and the bottom of each painting blue and white double string line two.The inner bottom and outer wall are painted with clouds and dragons, with black line to hook out the outline filled with green color.The outer wall underglaze mold prints entwined with lotus and deformed lotus petal patterns.The mouth is decorated with blue-and-white strings and florets.The outer wall of the circle has 4 blue-and-white strings.Put green and white glaze in the circle.Nothing is known.

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Welcome to Public Note: “Collectors’ Big Reference” After the wonderful continue

 

[Qing · Tongzhi] Lucky and Ruyi powder enamel picture plate for children’s play.

The Palace Museum. Hongzhi Zhengde porcelain contrast exhibition

[Background]

There are 100 children in the mural, they either set off firecrackers, or play Suongni, play flute, play drums, or pull elephant cars, play dragon lanterns, running boats and so on.

The auspicious themes such as” Jiqing more than enough “,” Taiping has the elephant “,” Wufu presents longevity “,” Wuzi wins the first “,” crown band spread “,” Kirin send the son “,” Longfeng Chengxiang “are clearly reflected, and there is no place or place to play the festive atmosphere.

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[Ming · Hong Zhi] Blue and white cloud dragon pattern bowl

The Palace Museum. Hongzhi Zhengde porcelain contrast exhibition

[Background]

Hongzhi imperial kiln blue-and-white porcelain in the shape, glaze, blue-and-white hair color and decorative and other aspects, with the Chenghua imperial kiln blue-and-white porcelain is basically the same, but the decorative more delicate and meticulous, smooth stretch.The green material used is still the “equal green” produced in present-day Leping County, Jiangxi Province, also known as” Pitang green “.Due to the low content of iron oxide (Fe203) and high content of manganese oxide (MnO2) in this kind of green material, the pattern decoration is soft, elegant and fresh blue.

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[Qing] Kang Xi’s multicolored Ma Gu Xianshou picture plate

The Palace Museum. Palace Museum, Tibetan deer cultural relics special exhibition

[Background]

Ma Gu, the legendary longevity fairy, is said to be the birthday of the mother of the West at the beginning of March. The fairy, Ma Gu, goes to celebrate her birthday with a wine made from ganoderma lucidum on the banks of the river.The picture shows the scene.Here a sika deer guides a cart of wine to celebrate its birthday.A big altar full of wine, lotus leaf cover on it, hemp belt floating, holding ganoderma lucidum side of the car, floating like a fairy, deer look back, a maid standing behind the car, holding a high stick over, stick hook scroll book, ganoderma lucidum, hemp and maids are all side of the front, it seems to be going ahead, Zhu Shou.

At the end of the Qing Dynasty, it was recorded in the book of Yaoya: “The hand of Kangxi painting is exquisite…………………………………………………………………………………………………………………………………………………………………………………………………It is known that this kind of border decoration for the “red brocade land open light seal book Wanshou Wujiang style” painted porcelain plates, for the Kangxi sixty-year celebration of the birthday of burning paper.

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[Ming Zheng De] bright red glaze white fish plate

The Palace Museum. Hongzhi Zhengde porcelain contrast exhibition

(Front)

[Clear. Kangxi[Kangxi green flower outside coral glaze bowl (bottom)

Imperial Palace Museum (Collection)

[Ming · Hong Zhi] malachite green glaze bowl

Palace Museum (Tibet) “Ming Dynasty Hongzhi Zhengde kiln porcelain” Zhai Palace

Malachite green glaze also known as” law (reva) green glaze “,” emerald glaze “,” Ji Cui glaze “and so on.It is a transparent blue-green glaze with copper oxide (Cu0) as colorant and potassium nitrate (KNO3) as flux.Because of its color like peacock feathers, on a green, so-called “malachite green glaze.”The malachite green glazed porcelain was created in the Song Dynasty, the northern folk kilns in the Jin Dynasty, and the Jingdezhen kilns have been made since the Yuan Dynasty.Jingdezhen Kiln in Ming Dynasty was first found in Yongle period, later Xuande, Chenghua, Zhengde, Jiajing Dynasty, etc. are burned, but with Zhengde period products hair color is the most pure, was also the highest evaluation.

The malachite green glaze porcelain is made by roasting in oxidizing atmosphere after hanging the glaze on the astringent tire which has been burned by high temperature. The glaze burning temperature is about 1200 degrees.Jingdezhen made malachite green glaze porcelain, the body after glazing will be placed in the chimney behind the kiln, where the temperature coincides with the firing temperature of malachite green glaze porcelain.

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[Ming · Hong Zhi] blue and white red-colored five-fish pattern high-foot bowl alum

The Palace Museum. Hongzhi Zhengde porcelain contrast exhibition

[Qing Kang Xi] Colorful December Flower Mask Cup November Season

Imperial Palace Museum (Collection)

[Southern Song] Ge kiln grey blue glaze with flat pot in all directions

The Palace Museum (Tibet) “Gold Wire Iron Wire” Ge Kiln Porcelain Exhibition[Yanxi Palace]

[Background]

This vase is an imitation of ancient bronze ware, which is a representative of the ancient Ge kiln porcelain.Modeling ancient bronze ware is a common phenomenon of Ge kiln porcelain.Antiquities originated from the retro thought of the Chinese ancients, who believed that the ideal society appeared in the Xia, Shang and Zhou dynasties, and regarded the Zhou Dynasty as a symbol of the ritual system.To restore the ancient ritual, the use of tools should also have the ancient style.Especially after the Song Huizong, many officials and folk porcelain with Shang, Zhou bronze ware as a model, the wind of retro continuous, far-reaching impact.

These antique porcelains may have been used as ritual vessels to enter the ceremony of the ancients, but they were later used to burn incense, arrange flowers, and become the elegant embellishment of life.

This pot is the old collection of the Qing Palace, check the “Imperial Palace items spot-check report”, you can know that the collection in the Imperial Palace Hall Hall.

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[Clear. Yong Zheng: Yongzheng style rouge water powder color butterfly small bowl (front)

Imperial Palace Museum (Collection)

[Ming · Hong Zhi] Xuan Hua lotus pond swimming dragon pattern bowl

The Palace Museum. Hongzhi Zhengde porcelain contrast exhibition

[Qing · Qianlong] Carmine colored cloud dragon pattern flat pot

Imperial Palace Museum (Collection)

[Background]

The rouge color is a kind of low-temperature colored glaze introduced into China from the West. It is also called “rose red”, “magenta” rose red “.The shallow is” rouge water “and the heavy is also called” rouge purple “.The process of rouge color is that the glaze is applied to the porcelain by spraying glaze, and the glaze is fired again after 800 ° C low temperature.The rouge color takes the gold as the colorant, but with the gold’s color is completely different, in the lead boron flux adds the person ten thousand one-tenth of the gold, will appear the light powder or the red purple system color, because of it slightly the whorl red tint, extremely resembles the rouge, therefore calls the rouge color, commonly known as the rouge water.Carmine was used in the enamel painting of Kangxi period, such as light red rose color, ruby-like rich rouge color, or bright purple Su Fang color.To the Yongzheng period, there appeared many stable color, with a single rouge as decorative objects.The modelling to cup, dish, dish, bowl is more common, all are Jingdezhen kiln made.

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[Ming Zheng De] Blue and white Arabic box

The Palace Museum. Hongzhi Zhengde porcelain contrast exhibition

[Ming · Hong Zhi] Blue and white cloud dragon pattern bowl

The Palace Museum. Hongzhi Zhengde porcelain contrast exhibition

[Background]

Hongzhi imperial kiln blue-and-white porcelain in the shape, glaze, blue-and-white hair color and decorative and other aspects, with the Chenghua imperial kiln blue-and-white porcelain is basically the same, but the decorative more delicate and meticulous, smooth stretch.The green material used is still the “equal green” produced in present-day Leping County, Jiangxi Province, also known as” Pitang green “.Due to the low content of iron oxide (Fe203) and high content of manganese oxide (MnO2) in this kind of green material, the pattern decoration is soft, elegant and fresh blue.

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[Ming · Zhengde] Blue and white Arabic candlestick in the Forbidden City

The Palace Museum. Hongzhi Zhengde porcelain contrast exhibition

[Ming · Hong Zhi] The Imperial Kiln of the Forbidden City is decorated with purple glaze and double ears.

The Palace Museum. Hongzhi Zhengde porcelain contrast exhibition

[Ming · Hong Zhi] malachite green glaze bowl

The Palace Museum. Hongzhi Zhengde porcelain contrast exhibition

[Ming · Hong Zhi] Blue Glaze of Imperial Kiln

The Palace Museum. Hongzhi Zhengde porcelain contrast exhibition

[Ming · Hong Zhi] cast yellow glaze tracing gold and salt grain folding plate

The Palace Museum. Hongzhi Zhengde porcelain contrast exhibition

[Ming · Hong Zhi] Yuyao Yellow Green Flower and Fruit Plate

The Palace Museum. Hongzhi Zhengde porcelain contrast exhibition

[Background]

The invention relates to a yellow ground blue-and-white porcelain, belonging to a derived variety of blue-and-white porcelain.It needs to be fired twice, that is to say, white blue-and-white porcelain should be fired at idle high temperature, then low temperature yellow glaze can be applied by the method of “burning glaze”, and blue-white glaze can be seen through yellow glaze, and yellow glaze with cutters can be scraped off and then baked into the kiln at low temperature.

The yellow ground sets off the blue flower, gives the person warm and elegant aesthetic feeling.This variety was created in Xuande Dynasty Jingdezhen Imperial Artifact Factory, and later Chenghua, Hongzhi, Zhengde, Jiajing and so on.

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Welcome to the Public Number: “Jingzang Gate” After the wonderful continue

 

[Qing · Qianlong] Ink color “Cultivating map” porcelain board book

Imperial Palace Museum (Collection)

[Southern Song] Ge kiln grey green glaze chrysanthemum plate (bottom)

Palace Museum (Tibet)

[Background]

A dish of fourteen chrysanthemum-shaped pieces.open shallow arca wall, circle, foot, etcBoth inside and outside and inside the circle foot are applied gray-green glaze, the glaze surface is divided by the gold wire iron line “like the opening of the film.”The foot end has no glaze, exposes the black fetal bone.

Ancient Chinese artists and ceramic craftsmen in the design of ceramic modelling, good at getting inspiration from nature, plants, frog-shaped, tiger-shaped, sunflower-shaped, chrysanthemum-shaped shapes and so on are common.This chrysanthemum-shaped plate is well-formed, gray-green glaze, interwoven like a net of open-chip lines wonderful Tiancheng, can be regarded as an example of ancient ceramics to imitate flower modeling.Qinggong Old Tibetan BiographyIn addition to two chrysanthemum plates with grey glaze and chrysanthemum glaze, the other one is currently in the Forbidden City in Taipei.