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The eight pieces of Kangxi blue and white story porcelain collected in the Forbidden City are exquisite in porcelain, and the pieces are called art treasures. | china shengjiang blue ande white porcelain/ceramics
Categories: culture

The eight pieces of Kangxi blue and white story porcelain collected in the Forbidden City are exquisite in porcelain, and the pieces are called art treasures.

Xi’anhua porcelain porcelain is hard and delicate, the glazed surface is bright and clear, the blue and white color is green and bright, and the picture is clear and distinct. It is promoted to the crown of blue and white porcelain in the Qing Dynasty. Among the various colors of porcelain, the story on the blue-and-white porcelain is the most, and the subject matter is also very wide. For example, there are four beautiful and sixteen-child figures that pray for good fortune, and Yu Boya, who reflects the temperament and style of the literati, carries the piano and friends, Tao Yuanming, and Aiju. Wang Xizhi’s love goose, Zhou Dunyi Ai Lian, Taibai drunkenness, 18 bachelor’s chart, and the figure of the horses and horses in the story of the Tongquetai contest and the empty city plan in The Romance of the Three Kingdoms.

1. Blue and White Eighteen Bachelor Sticks

Qing Kangxi (1662-1722)

46 cm high, 11.5 cm in diameter, 12 cm in diameter

Palace Museum

“The Eighteen Bachelor Chart” is one of the decorative patterns of clear porcelain. When Li Shimin of the Tang Dynasty was the king of Qin Dynasty, he opened a literature museum in the west of Miyagi, and a network of literary talents, such as Du Ruzhen, Fang Xuanling, Lu Deming, etc., divided into three classes, six people on duty every day, discussing literature, discussing the past and the present, called “18 Bachelors”. This painting title is favored by later generations of painters.

2. Blue and white copper bird table

Qing Kangxi (1662-1722)

44.5 cm high, 12.3 cm in diameter, 14.2 cm in diameter

Palace Museum

“Tongquetai contest” is a famous story in the Three Kingdoms. In the fifteenth year of the Han Dynasty Emperor Jian’an (210 years), Cao Cao built the Tongquetai in Yucheng, and chose the Jiwu to gather a civil servant to celebrate the celebration. Cao Cao’s saga will give him a robes. In the end, Xu Huang and Xu Wei competed for the robes, and they could not hold each other. Cao Cao will be brave in the audience, and each of them will be given a slap in the face. In the picture, Cao Cao stood at the highest level of Tongquetai, handcuffed and bearded, and watched the public to compare. The public will watch the horse on horseback, and a robes on the poplar will symbolize the competition. Xu Huang and Xu Wei took turns to shoot. There are also many civil and military officials in the picture.

3. Blue and white Shi girl baby pictures gallbladder bottle

Qing Kangxi (1662-1722)

23 cm high, 3.6 cm in diameter, 5.8 cm in diameter

Palace Museum

The picture is from “Jin Shu·Biography”. The Jin Dynasty qi (qiè shēn) was the history of Zhangzhou. Before he took office, Jin Wudi asked him for his self-evaluation. He said: “I am the best in the world. I am like a section of Guizhi in the Moon Palace, in the Kunlun Mountains. A piece of treasure jade.” The picture borrows this allusion, and uses “Folding Gui” to mean “the next knee, the Ming Dynasty and the first.”

4. Blue and White Character Story Chart

Qing Kangxi (1662-1722)

2.2 cm high, 14.9 cm in diameter, 9.2 cm in diameter

Palace Museum

The story is based on the scene in the legendary “Hung Hom” of the Ming Dynasty. In the first half of the “Red Dragonfly”, Li Jing, the red niece, and the hacker were depicted, and they became the famous “Feng Dian San Xia” in history. The hacker has always had the ambition of the emperor. I heard that Li Shimin of Taiyuan has the “imperial temperament” and specially went to see what happened. Upon meeting, the hacker was convinced by Li Shimin’s heroic spirit and gave up his ambition. The disk depicts the next scene of the story: a few days later, the hacker feasted the Li Jing couple at home, and after the meal, let the servant carry out more than 20 large boxes and give all his wealth to Li Jing, so that he can assist him. Li Shimin took the world.

5. Blue and white fourteen sixteen figure cans

Qing Kangxi (1662-1722)

34 cm high, 11.7 cm in diameter, 16.4 cm in diameter

Palace Museum

“Four and Sixteen Figures”, also known as “Pavilion Baby Play”, is one of the common themes of porcelain figure paintings in the Ming and Qing Dynasties. The use of this theme expresses a kind of auspicious meaning of prosperity, political integrity, family happiness, multi-children and grandchildren. It also reflects people’s desire and persistent pursuit of a good life.

6, blue and white figures pen holder

Qing Kangxi (1662-1722)

12.8 cm high, 10.6 cm in diameter, 10.6 cm in diameter

Palace Museum

The pen holder draws travertine trees on one side; the other side draws four Coats sitting in front of the long case to drink and make poems. The picture above reads: “There is no appreciation, high talk, clear, open Qiong 筵 to sit flowers, fly feathers and Drunk month, there is no good work, He Shen Yahuai, if the poem is not completed, the penalty is based on the number of Jingu wine.” The poems are taken from the second half of the poet Li Bai’s “Spring Night Banquet”. The picture depicts Li Bai and his friends at the Spring Festival party, drinking and poetry.

7, blue and white three countries empty city plan story map market

Qing Kangxi (1662-1722)

5.6 cm high, 35 cm in diameter, 20.4 cm in diameter

Palace Museum

The heart of the film is full of plots of the “empty city plan” in the Romance of the Three Kingdoms. Zhuge Liang sat in the city tower, leisurely watching the piano. Outside the door, Sima Yi rides the horse to the crowd, and a child in the gate of the city gate leads to the city. The picture is vivid and fascinating.

8, blue and white figures square bowl

Qing Kangxi (1662-1722)

9.9 cm high and 14.7 cm wide.

Mouth length 14.5 cm, foot diameter 6.4 cm

Palace Museum

The outer wall of the bowl is open on all sides. There are four groups of character stories. The theme is Yu Boya, a friend of the piano, Tao Yuanming, Ai, Wang Yizhi, and Zhou Dunyi. The four groups of large openings are separated by four groups of small openings, and the small openings are painted with floral patterns.

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